Calendar

Past Exhibits

The Window Gallery presents the work of contemporary makers of unusual and newly invented musical instruments, including emerging artists as well as recognized pioneers. The emphasis is on originality in concept and design, recognizing the seminal role of the search for new sounds in the expansion of musical horizons. Equally essential to the exhibits are notions of beauty, craft, and humor.

The Window Gallery is curated by Bart Hopkin, David Samas, and Kirk Pearson. Located at 55 Taylor Street in San Francisco, the gallery is open to the public Monday through Friday, 9 am – 5 pm, and during performances.

Email the Gallery Manager for information, questions, comments or to propose an installation.

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ATRIUM: Paul Winstanley

Mon, Jul 1 — Wed, Jul 31, 2024

Paul Winstanley is an experimental sound and visual artist from Aotearoa (NZ) who currently lives in San Francisco.

Artist Statement:

a recurring theme or process in my physical visual works is centered around deconstructing and reconstructing images using stressed materials, paint, glue, and ink.

for this latest series, I incorporate plastic packing tape imprinted with images from magazines overlaid onto boards of white paint and ink. the tape easily picks up ink from printed paper, and when the paper has been removed the once-white areas become transparent, allowing for some interesting image blending, while the soft, plastic material gives a glossy, gently undulating surface to the work, a bit like a thick lacquer.

CURRENT EXHIBIT: Sung Kim

Mon, Jul 1 — Sat, Aug 31, 2024

An opening reception for this exhibit will occur on Friday, July 12th, at 6pm. Learn more and RSVP for this free event at the link below

Sung Kim: Window Gallery Reception

Artist Statement:

Immersed in the vibrant DC Punk Rock scene, Sung Kim nurtured a unique vision: to channel the collective power and dynamism of an entire band through his singular artistry. His journey as a pioneering force in avant-garde sound and instrument building took a profound turn following a life-altering accident that severed and reattached two fingers on his dominant left hand.

This adversity became the catalyst for a remarkable evolution in his craft. As Sung embarked on his healing journey, his workshop transformed into a sanctuary of innovation. In the early days of recovery, he began crafting rudimentary instruments, each a testament to his resilience and determination to continue creating despite his physical limitations. These initial creations were simple yet functional, reflecting the nascent stages of his recovery.

As strength and dexterity gradually returned to his hand, Sung’s instruments evolved in complexity and sophistication. Each new piece embodied his regrowing mastery and unyielding spirit, transitioning from basic forms to intricately designed marvels of craftsmanship. The process was iterative and deeply personal, with each instrument marking a milestone in his healing journey.

This collection, now displayed at the West Oakland Sound Series, is a chronological narrative of Sung Kim’s perseverance and transformation. Each instrument in the collection tells a story of growth and renewal, illustrating the step-by-step evolution of his artistry. Sung invites audiences to witness this journey through his improvisations, where every note played on these instruments weaves a melodic tapestry of healing and triumph, showcasing the indomitable spirit of creativity.