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The Window Gallery presents the work of contemporary makers of unusual and newly invented musical instruments, including emerging artists as well as recognized pioneers. The emphasis is on originality in concept and design, recognizing the seminal role of the search for new sounds in the expansion of musical horizons. Equally essential to the exhibits are notions of beauty, craft, and humor.

The Window Gallery is curated by Bart Hopkin and David Samas. Located at 55 Taylor Street in San Francisco, the gallery is open to the public Monday through Friday, 9 am – 5 pm, and during performances.

Email the Gallery Manager for information, questions, comments or to propose an installation. View past installations.

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Thu, Nov 1 — Sun, Dec 30, 2018
Don Buchla: Instruments for Electronic Expression

Don Buchla: Instruments for Electronic Expression

Curated by Joel Davel

“In my many years working for Don Buchla, I had the pleasure of witnessing his drive to create innovative musical controllers. While many Buchla fanatics hail his modular synthesis designs, Don interest in them was often more about how a creative interface might inspire new composition. I first met Don when he introduced Thunder at Mills College in 1990. I had already experienced composing on his modular system and in particular his set up for computer control of it — a system that he installed at Northing Illinois University. But now Don was moving towards making live (portable) controllers that were in sync with my own needs as a performer/composer. By 1995 I was able to get deep enough into helping those innovations along to become the circuit board designer and the alpha tester for all the new ideas. I hope that by presenting works of Don’s that focus on those years from 1989 to the end of this life, and being allowed to interact with them, gallery visitors might get a glimpse of the Don I knew much more than any recording or talk could. “  -Joel Davel

Don Buchla (1937-2016)

Educated in physics, physiology, and music, Don Buchla’s multi-faceted creativity was applied to fields as diverse as space biophysics research, musical instrument design, and multi-media composition. A UC-Berkeley alumnus, he spent the majority of his life as a resident of Berkeley, enjoying both the experimental and academic stimulation it offered. Much of his work was centered on the refinement of communication channels between man and machine, notably the invention of mobility aids for the visually handicapped, the development of instrumentation for bio-feedback and physiological telemetry, and the design of interactive electronic musical instruments and performance-oriented music languages.

With encouragement from Morton Subotnik in 1963, Don began to focus his efforts more on electronic musical instrument design. That led to many collaborations with musicians, composers, and researchers over the years in addition to performing with and co-founding such groups as the Electric Weasel Ensemble, and the Muse and the Fuse. From 1989 to 2004 — while other commercial sound resources flooded the market — Don focused on developing several exotic controllers that provide expressive alternatives to traditional musical input devices including Thunder, Lightning II, Wind, Rain, Marimba Lumina, and the Piano Bar. In his final years he revisited the 200 series—the”electric music box” series that made him a legend in the 1970’s—by creating the 200e series modular.

Joel Davel worked with Don Buchla for over 20 years in many roles–his primary task being the PCB designer for all of Buchla’s post-1995 designs including the Marimba Lumina, Lightning III, Moog Piano Bar, and all of the 200e series. Davel also performed alongside Don Buchla. Reviewing an event featuring Bob Moog and Don Buchla the Wall Street Journal wrote: “percussionist Joel Davel blew everyone away with his virtuosic improvisation on the Marimba Lumina, an electronic invention that emulates and extends the vocabulary of conventional mallet instruments, and the [Buchla] Lightning, played by waving wireless wands in space.”

Davel’s closest musical partnership is with Paul Dresher as part of the Dresher/Davel Invented Instrument Duo, Electro-Acoustic Band, and Double Duo quartet—an international touring group.  Davel has recording credits on marimba and electronics with groups led by electronic-diva Amy X Neuburg, violinist Kaila Flexer, and guitarist Jack West among others. He is Inspired by movement and storytelling and has enjoyed work with The California Shakespeare Theater, West Edge Opera, South Coast Repertory and composing and performing live for over six dNaga dance productions.

Now with Buchla USA, Joel works in his role as lead engineer to keep Don’s creative vision and designs alive.

Davel holds Bachelor of Music from Northern Illinois University and MFA from Mills College.


Fri, Dec 7, 2018 — Thu, Jan 3, 2019
Electrogenesis: Ivor Darreg & the First Keyboard Synth Drawings from 1936-38

Atrium Display: Electrogenesis, Ivor Darreg & the First Keyboard Synth Drawings from 1936-38

Ivor Darreg (1917-1994) Invented the keyboard synthesizer in 1936 as a 19 year old. It was the first instrument of its kind in the world. 

An iconoclastic genius, composer, tuning theorist and instrument inventor, he created the “Electric Keyboard Oboe,” “Drum Synth,” “Orgatron,” and “Thyrotron” inspired by Leon Theramin. His synth systems were microtonal, exploring both just intonation and small equal temperaments like 19ET and 22ET. 

On display are drawings for several electronic instruments from the late 30s, including the iconic “Electric Keyboard Oboe.” The 4 drawings on the far right are from a patent paper he wrote in 1937 with the first circuit designs for original musical instruments in english. Some of these circuits were realized in his early electronic instrument experiments, while others remain solely conceptual.

Drawings on loan from the Interval Foundation

Jonathan Glasier, Director

Kathleen Smith, Archivist


The Window Gallery at the Center for New Music is supported by the San Francisco Arts Commission in 2016-17.
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The Window Gallery at the Center for New Music was supported by New Music USA in 2014.