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The Window Gallery presents the work of contemporary makers of unusual and newly invented musical instruments, including emerging artists as well as recognized pioneers. The emphasis is on originality in concept and design, recognizing the seminal role of the search for new sounds in the expansion of musical horizons. Equally essential to the exhibits are notions of beauty, craft, and humor.

The Window Gallery is curated by Bart Hopkin and David Samas. Located at 55 Taylor Street in San Francisco, the gallery is open to the public Monday through Friday, 9 am – 5 pm, and during performances.

Email the Gallery Manager for information, questions, comments or to propose an installation. View past installations.

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Mon, Jul 1 — Sun, Jul 28, 2019
Atrium Display, Musicians Make: Comic Strips

Atrium Display, Musicians Make: Comic Strips

Polymaths are often musicians and the talents and proclivities that make for great musicians quite often make for brilliant artists, engineers, mathematicians, activists, chefs, philosophers, poets, painters, cosmologists and gardeners. Society seeks to simplify and pigeonhole these geniuses and so too often their broader gifts are considered tangential rather than integral, like facets of a single splendid jewel.

In this series of exhibitions we explore non-musical works of artistic and cultural value created by members of the community primarily known for their music.  –  David Samas, Curator

Artist Bio

Jason Berry is a sound and visual artist based in the San Francisco Bay Area. Since 1989, he has been the artistic director of the musical ensemble Vacuum Tree Head.


Mon, Jul 1 — Thu, Aug 29, 2019
Johannes Bergmark: How Do You Invent Something?

© Rene Jakobson / renejakobson@hotmail.com

Johannes Bergmark: How Do You Invent Something?

Artist Statement

Meeting Hal Rammel in Chicago in 1987 was the decisive moment for me to open my eyes for experimental musical instrument (EMI) building, through his beautiful and imaginative work, generous friendship and the collaborations that we did. He also let me know about the inspiring network of inventors to be found in and around the magazine EMI, edited by Bart Hopkin. After some years, I also published an article about my work in there. To be invited to exhibit, some 30 years later, by Bart Hopkin, is like the journey has come to a full-circle and a dream come true. Although there is only space for some of my portable favorites, others will be displayed in photos and explanations.

The title refers to my noticing that every instrument I made has had a different kind of idea as a source. They are examples of dreams, whims, discoveries, chance occurrences, materials, playing methods etc. Funnily enough, never has the sound come first. A large part of the explanation for the multiplicity of sources of invention is an improvisatory practice and a surrealist, poetic attitude where playful, associative, analogic thinking comes before the goal-oriented approach that might follow.

I hope the exhibition will inspire both musicians and non-musicians, and hope that I too am inspired through the process of making it and meeting the people appearing at the exhibition.

Artist Bio

I am a multidisciplinary artist working mainly in the fields between free improvised music, experimental musical instruments making, sound poetry, text-sound composition, sound sculpture, sound installations, sound environments, workshops and lectures for all ages, and critical and poetic writing.

Since my education as a piano and harpsichord builder, which I graduated from with a Gesellenbrief in Germany 1996, I have been a freelance musician and artist as well as a piano technician. In 1999-2000 I studied at the Elektronmusikstudion in Stockholm in electro-acoustic music composition. I also have a background in butoh, theatre, and jesting.

At present (until May 2019), I am doing my master’s thesis which involves improvised music and an experimental musical instrument construction.

My main focus is in creating experimental musical instruments, or more precisely, poetic material interfaces for sound exploration and adventure. This also includes selected found objects that I use as instruments but which also become actors in a musical object theatre.

I have done several projects and interactions that involve available resources and found materials on sites that I come to more or less empty-handed.


The Window Gallery at the Center for New Music is supported by the San Francisco Arts Commission in 2016-17.
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The Window Gallery at the Center for New Music was supported by New Music USA in 2014.